He apparently dies of love at the end of the novel and is buried with the ring he had given Christine.I have just come from seeing phantom and was completely swept away. This realization encourages him to change his ways, confirming his belief that he only needed to receive love-instead of fear, hatred, and rejection-to become a better person.

His brutal, possessive attitude toward Christine ceases once he realizes that she is a loving, honest being who feels sincere compassion for him. At the same time, Erik also demonstrates a desire to change and live a normal life. Killing Joseph Buquet, taking part in various misdeeds at the Opera, and trying to eliminate his friend the Persian and his rival Raoul even seem to bring him satisfaction, thus suggesting that he has a sociopathic appreciation for murder. Having apparently never been loved, he seems incapable of giving others love and freedom, preferring to resort to brutality in order to assert his authority.

Although seen as a sublime, irresistible singer capable of expressing his emotions in heart-wrenching ways, Erik has grown up in an environment marked by rejection and manipulation-in particular because people are so horrified by his appearance-and proves violent himself. Although the narrator asserts that Erik is a human being, he displays characteristics that suggest he might be more supernatural than purely human: his appearance as a skeleton covered in rotten skin, his extraordinary singing abilities, and his capacity for ventriloquism, which allows him to project his voice anywhere he pleases, making it seem as though he is in various places at once. of the Opera,” “the ghost,” “the Voice” and “the Master of the Traps,” Erik is the antagonist of the novel and a tragic, violent, and ultimately mysterious figure.

The phantom of the opera characters